Underwater (2020)

Underwater Underwater is a derivative film, it borrows from so many other films but is unable to be as good as any of them. It liberally borrows from James Cameron’s Aliens and The Abyss. It borrows from Guillermo del Toro’s Pacific Rim. It has a scene that tries to borrow the spirit from The Martian. And one can say that it has a bit of Lord of the Rings in it. That being said, at 90 minutes long there’s not much to dislike about the film. As a simple creature feature, it is undeniably effective in its scares and is helped by the pacing that kept the moving along at a quick clip from start to finish.

Underwater follows Norah (Kristen Stewart) who is a mechanical engineer on an enormous underwater research site. As the movie opens, the rig experiences some technical difficulties and sections of it start to implode. We follow Norah and other survivors of the initial accident as they try to get to escape pods that are across the sea floor at a different building.

The film is claustrophobic and, unlike Cameron’s The Abyss, never leaves the six survivors for the surface. The film looks great, even if it has some moments of muddiness that casts the action into a darkness that can’t be followed. What is impressive are the underwater scenes that were filmed dry-for-wet (in other words, they were not really underwater) – the underwater scenes look genuinely real.

As a creature feature, the one thing that would have made the film great would be the creatures – which are quite generic.

The characters in the film are, for the most part, cardboard cutouts. But, the A-list cast give it all they can and make some of the characters memorable and likeable. Kristen Stewart is good in the film, though she isn’t given much – and what she is given is a bit muddled. T.J. Miller and his rabbit make the biggest impression because they are hilariously funny. John Gallagher Jr. is super likeable in his role that isn’t much but Gallagher’s charm works wonders. Jessica Henwick’s character is given a character arc that is not very well developed. Captain Lucien (Vincent Cassel) seemed like he would have been an interesting character, but the character is woefully underdeveloped.

I liked how the film empowered women – there is a scene of two women dragging an incapacitated man across the ocean floor to save his life – instead of the other way around. I like that the writers (Brian Duffield and Adam Cozad) stuck with the “less is more” philosophy for the creatures. We get ideas from the Emily character about what they might be and why they are coming out now. But, there is nothing specific. This is much like the idea behind the Xenomorph in the original Alien film (and unlike what Ridley Scott is trying to do with recent movies in the Alien universe).

Underwater didn’t do well in theaters and suffered from bad reviews. I think reviewers were a bit harsh on the film. Yes, it has plot holes and thin characterizations, but the special effects are good and the movie moves along rather quickly. It is an entertaining film as long as one comes with the right expectation that this is a B-movie creature feature film and that’s it. I enjoyed the film and recommend it.

Watched at home streamed on Vudu.

Spoilers

The large creature at the end looked like it came straight from Pacific Rim.

The backstory that was created for Norah was not very well told – especially in the beginning. After multiple viewings, I still don’t understand why she clutches at her chest. I understand why the writer put it in there, in order to give more weight to the Emily and Smith relationship at the end, but it didn’t work out that well.

The script for the film seemed like it might have been longer in some previous drafts. The above mentioned backstory for Norah and her fiancée felt like something that could have been expanded a little. Captain Lucien had some backstory included in some scenes, for example with what Norah finds his old locker. I think that character would have made an interesting character had they done more with it.

The ending sets things up, barely, for a sequel.


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